


digi2t wrote:Well, I was intrigued enough to breadboard this baby. It's a very raunchy fuzz. It can go from really thin Maestro fuzz, to a more Muffish tone. Pretty good spread.
Just some things that i noticed though; Studying the schematic vis a vis the solder side shot, there maybe an error on the schem. Correct me if I'm wrong, but I believe that the 100K / 470pF / 22pF trio should be going from the base of tranny 7, to ground. That's what I see on the PCB pic, but I don't see it reflected that way on the schem. Can someone confirm this?
As for the trimmers, a 250K in position A seems to do the job, getting the voltage to 4.5v at the 4R7 junction. I'm still playing with trimmer B. This one is touchy, but the best results seem to be when it's right on the edge of oscillation. One thing I'm not happy with right now is that there is a bit of gating going on just as the note fades away. If I can figure out how to fix this, this one is a keeper. Anything that can range from buzz saw to muff, in one box, can go on my board, anyday.
For trannies, I'm playing with a mixture of 108's and 109's, with a 2N2907 in the PNP spot. I also tried 2N2904, 2N2905, and 2N5087, but all give similar results.
digi2t wrote:Thank you soooo much for the info. I won't have time tonight, but tomorrow I should be able to make some more headway.
I'll pay close attention to the voltages. I think I was taking the voltages for the B trimmer from the wrong place. I go over it again.
As i mentioned, it has great promise. If I can solve the gating (very little, at the end of the decay, but there) this thing is going to be killer.
Another thing that bugs me is the attack pot. It really acts as another volume knob, which I find totally useless. I might mod this to maybe bypass the fuzz section instead. That way, you can go from a simple boost, to all out mayhem. It would certainly be more useful.
Muchos gracias!!!![]()
![]()
digi2t wrote:Hi /M,
Just a verification; The voltage posted after the 27K resistor, is that a "4v"? I'm assuming that's a 4, but it's not that clear. Of course, 4v makes perfect sense, considering what's comming down the pipe.
I can't seem to get the 0.6v at the base of tranny 6. I've managed to get all the other voltages close, but this one doesn't seem to want to coorporate, usually hanging around 10mV. On the other hand, watching it while I play, I do see it come up while playing, so something is happening. Maybe the 2N3906 isn't quite up to the task.
What helped enormously was using a trimmer in place of the 390 ohm, the 100K at the base of tranny 7, and a trimmer in place of the 27K just below it, went a long way in helping tweak the voltages.
Back to work....
digi2t wrote:digi2t wrote:Hi /M,
Just a verification; The voltage posted after the 27K resistor, is that a "4v"? I'm assuming that's a 4, but it's not that clear. Of course, 4v makes perfect sense, considering what's comming down the pipe.
I can't seem to get the 0.6v at the base of tranny 6. I've managed to get all the other voltages close, but this one doesn't seem to want to coorporate, usually hanging around 10mV. On the other hand, watching it while I play, I do see it come up while playing, so something is happening. Maybe the 2N3906 isn't quite up to the task.
What helped enormously was using a trimmer in place of the 390 ohm, the 100K at the base of tranny 7, and a trimmer in place of the 27K just below it, went a long way in helping tweak the voltages.
Back to work....
I forgot to mention, the A trimmer is now a 50K, works great. The B trimmer is a 5K, since i didn't have any 2K2 on hand, but I do get my 3.4V on tranny 5. Just that 0.6v that's eluding me. I have 9.14v from the PS, and via the trimmer, I've tuned it to 8.0v, in keeping with the math![]()
Right now, the sustain is greatly improved, but still not to my liking. This is a very "fizzy/buzzy" fuzz. More tuning to be done. As soon I get a chance I'll post a video, probably on the weekend.
Cheers,
Dino
digi2t wrote:OK... Success (I think)
I went back to the resistors, keeping only the trimmer subbing for the 390 Ohm. On a whim, I swapped out all the NPN trannies for 2N5088's and kept the 2N3406 in the PNP. After several hours of poking and proding, and head scratching trying to understand the inter relationships between the trimmers, I FINALLY got all the voltages to within +/- 0.1 volt (for the major base voltages) of what you laid out on the schematic. And yes, tranny 5 is conducting, and sitting at 0.585v now. All the other voltages are very, very close.
This is one fizzy fuzzy buzzy crispy sizzly fuzz circuit. Almost a la Fuzz Factory, but crispier. Did I mention sizzly. Oh yeah, and it's real crispy too.
Was probably way to radical for anyone back in the day. Hell, sounds pretty radical to me now. It almost sounds like I'm playing my guitar through a Tesla coil amplifier. Think the Stones "Satisfaction", but with steam roller running over a million bags of tuned Doritos every time you play the hook. And I'm pretty sure that I know when the guy 5 doors down turns on his flourescent lights as well.
But the funniest thing was last night, while I was playing with it... I had the headphones on, since everyone was sleeping, and while I was tuning the trimmer, it suddenly came over the headphones that my favorite hockey team had lost again![]()
Really not your run of the mill fuzz circuits. The PNP/NPN section really adds a lot of harsh nastiness to the sound. Just pure evil dirt. I wish there was a way to tame it, but I did find that an AC128 in the PNP spot seemed to make a bit of a difference. Somewhat less harsh. Hmmm....![]()
The EDGE switch basically boosts, or lowers you treble. The DRIVE switch fattens the low end a bit with the EDGE on high, but with the EDGE off, and DRIVE off, there is a significant loss of volume. DRIVE on, EDGE off leans toward a nervous chihuahua Muffy type sound.
The ATTACK pot really is a killjoy at any setting other than wide open, pedal in the oil pan, max. Below that, the presence, sustain, and fuzzy fizziness, quickly fall by the wayside.
I would really like to know if anyone else tries this circuit, just to corroborate my findings. This thing is... umm... special. I'm surprised it hasn't shown up on a Black Keys album yet.
Many. many, many thanks to Grizzlytone for the pointers (and enduring my noobishness). Thanks to you, I go to bed less stupid at night. And that's where i'm headed now. Goodnight all!
digi2t wrote:Was probably way to radical for anyone back in the day. Hell, sounds pretty radical to me now. It almost sounds like I'm playing my guitar through a Tesla coil amplifier. Think the Stones "Satisfaction", but with steam roller running over a million bags of tuned Doritos every time you play the hook. And I'm pretty sure that I know when the guy 5 doors down turns on his flourescent lights as well.
this is what i like to hear congratulations on getting it going!
any comparison to the Brian Eno recordings that have been posted earlier in this thread? myself and the other 70s prog fans are on the edges of our chairs in anticipation
nightraven wrote:you make me really happy when you compare your breadboard to a Maestro FZ-1![]()
![]()
check the little fuzz guitar melody approx halfway through this song and please give us a comparison!!! i have always assumed this was the same setup as in the infamous title-track but without all the ridiculous studio magic and layers. it does have a similar buzzy character as the Maestro but much much thicker with proper sustain.
kaycee wrote:Sounds promising from the demo Digi, thanks for sharing your work on this, going onto the to-do list. Rudolph usually played humbuckers, so maybe a hotter input might fatten it up a bit?
Great stuff
Return to Vintage Stompbox Corner ( ... - 1975)
Users browsing this forum: No registered users and 4 guests